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Disciplina: Inglês (Língua Inglesa)
Banca: IBED
Orgão: Pref. Monsenhor Hipólito-PI
- Análise sintática | Syntax Parsing
- Gramática - Língua InglesaAdvérbios e conjunções | Adverbs and conjunctions
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Disciplina: Inglês (Língua Inglesa)
Banca: IBED
Orgão: Pref. Monsenhor Hipólito-PI
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Disciplina: Inglês (Língua Inglesa)
Banca: Pref. Itapoá-SC
Orgão: Pref. Itapoá-SC
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Disciplina: Inglês (Língua Inglesa)
Banca: Pref. Itapoá-SC
Orgão: Pref. Itapoá-SC
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No CRA-PR, a equipe de tecnologia utiliza documentação técnica em inglês para apoiar atividades de monitoramento da infraestrutura de rede. Nesse contexto, analise o fragmento a seguir.
Network administrators collect information from routers, switches, servers, and other managed devices. Measurements such as interface usage, packet loss, error counters, and system availability become more useful when compared with a baseline that represents the network’s usual behavior. Devices may also send notifications when specific events occur, drawing attention to conditions that should be looked into. However, notifications do not replace periodic monitoring, since they may be delayed, lost, or provide insufficient context. During an investigation, administrators may combine measurements, logs, alerts, and recent configuration changes. Eventually, this information may help them narrow down the possible causes of a problem and choose an appropriate corrective action.
Analise as afirmativas a seguir.
I. The text indicates that collected measurements can be better interpreted when compared with the network’s usual operating pattern.
II. The expression “looked into” indicates that the reported condition should be examined.
III. According to the text, event notifications can replace periodic monitoring because they provide sufficient information about network problems.
IV. The word “eventually” indicates that the investigation may ultimately help reduce the set of possible causes.
Com base na interpretação do texto técnico em inglês, está correto o que se afirma apenas em
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Disciplina: Inglês (Língua Inglesa)
Banca: FUNDATEC
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Four ‘extraordinary’ Renaissance paintings stolen from Italian museum
By Aleks Phillips
Four Renaissance paintings of “extraordinary value” have been stolen from a museum in
Sicily, Italy’s culture minister has said. Alessandro Giuli confirmed that three panels of the
Polyptych of San Gregorio and a double-sided panel of the Madonna with Child and Christ in
Pietà, all attributed to Antonello da Messina, were taken from the Regional Interdisciplinary
Museum of Messina on Saturday night.
Police are now probing how the thieves were able to enter the museum without triggering
its alarms and who may have been responsible. The incident is the latest in a string of museum
heists across Europe that have led to a growing number of priceless works disappearing from
public view.
Investigators are working on the initial suspicion that the paintings were stolen to order
by black market art thieves, according to Italian news agency Ansa. It reported that the
Madonna and Christ in Pietà was removed directly from inside a secure display case, while all
the paintings taken were on wooden panels, preventing them from easily being rolled up.
“We are shocked by what happened,” the museum’s director Marisa Mercurio told Ansa,
describing it as “a great loss for the museum, for the city, the community and the art world”.
Antonello da Messina was a 15th Century painter born and raised on Sicily, who would go
on to become one of the early Renaissance period's master painters. His San Gregorio
Polyptych, painted in 1473, depicts the Virgin Mary holding an infant Jesus Christ, flanked by
St Gregory and St Benedict as well as several angels.
The artwork, of which five panels survive, was commissioned for the monastery of Santa
Maria.
Meanwhile, his double-panel showing an infant Christ blessing a follower while being held
by the Virgin Mary on one side and an adult Christ in death on the other was painted around
the same time, though exactly when is unclear. Its small size suggests it was originally used
for private worship.
Federico Basile, the mayor of Messina, said he was “deeply outraged” by the “heinous
criminal act”. “A heritage belonging to all the people of Messina has been violated,” he said.
“Messina will not let its history be stolen.”
(Available at: https://www.bbc.com/news/articles/cqjxx2gzd9qo – text specially adapted for this test).
I. In “a museum in Sicily” (l. 01-02), the indefinite article “a” introduces a singular countable noun that has not been previously identified.
II. In “the Regional Interdisciplinary Museum of Messina” (l. 04-05), the definite article “the” refers to a specific institution.
III. In “the paintings taken” (l. 13), the definite article “the” is used because the paintings had already been mentioned in the text.
Which ones are correct?
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Disciplina: Inglês (Língua Inglesa)
Banca: FUNDATEC
Orgão: Pref. Santa Rosa-RS
Four ‘extraordinary’ Renaissance paintings stolen from Italian museum
By Aleks Phillips
Four Renaissance paintings of “extraordinary value” have been stolen from a museum in
Sicily, Italy’s culture minister has said. Alessandro Giuli confirmed that three panels of the
Polyptych of San Gregorio and a double-sided panel of the Madonna with Child and Christ in
Pietà, all attributed to Antonello da Messina, were taken from the Regional Interdisciplinary
Museum of Messina on Saturday night.
Police are now probing how the thieves were able to enter the museum without triggering
its alarms and who may have been responsible. The incident is the latest in a string of museum
heists across Europe that have led to a growing number of priceless works disappearing from
public view.
Investigators are working on the initial suspicion that the paintings were stolen to order
by black market art thieves, according to Italian news agency Ansa. It reported that the
Madonna and Christ in Pietà was removed directly from inside a secure display case, while all
the paintings taken were on wooden panels, preventing them from easily being rolled up.
“We are shocked by what happened,” the museum’s director Marisa Mercurio told Ansa,
describing it as “a great loss for the museum, for the city, the community and the art world”.
Antonello da Messina was a 15th Century painter born and raised on Sicily, who would go
on to become one of the early Renaissance period's master painters. His San Gregorio
Polyptych, painted in 1473, depicts the Virgin Mary holding an infant Jesus Christ, flanked by
St Gregory and St Benedict as well as several angels.
The artwork, of which five panels survive, was commissioned for the monastery of Santa
Maria.
Meanwhile, his double-panel showing an infant Christ blessing a follower while being held
by the Virgin Mary on one side and an adult Christ in death on the other was painted around
the same time, though exactly when is unclear. Its small size suggests it was originally used
for private worship.
Federico Basile, the mayor of Messina, said he was “deeply outraged” by the “heinous
criminal act”. “A heritage belonging to all the people of Messina has been violated,” he said.
“Messina will not let its history be stolen.”
(Available at: https://www.bbc.com/news/articles/cqjxx2gzd9qo – text specially adapted for this test).
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Disciplina: Inglês (Língua Inglesa)
Banca: FUNDATEC
Orgão: Pref. Santa Rosa-RS
Four ‘extraordinary’ Renaissance paintings stolen from Italian museum
By Aleks Phillips
Four Renaissance paintings of “extraordinary value” have been stolen from a museum in
Sicily, Italy’s culture minister has said. Alessandro Giuli confirmed that three panels of the
Polyptych of San Gregorio and a double-sided panel of the Madonna with Child and Christ in
Pietà, all attributed to Antonello da Messina, were taken from the Regional Interdisciplinary
Museum of Messina on Saturday night.
Police are now probing how the thieves were able to enter the museum without triggering
its alarms and who may have been responsible. The incident is the latest in a string of museum
heists across Europe that have led to a growing number of priceless works disappearing from
public view.
Investigators are working on the initial suspicion that the paintings were stolen to order
by black market art thieves, according to Italian news agency Ansa. It reported that the
Madonna and Christ in Pietà was removed directly from inside a secure display case, while all
the paintings taken were on wooden panels, preventing them from easily being rolled up.
“We are shocked by what happened,” the museum’s director Marisa Mercurio told Ansa,
describing it as “a great loss for the museum, for the city, the community and the art world”.
Antonello da Messina was a 15th Century painter born and raised on Sicily, who would go
on to become one of the early Renaissance period's master painters. His San Gregorio
Polyptych, painted in 1473, depicts the Virgin Mary holding an infant Jesus Christ, flanked by
St Gregory and St Benedict as well as several angels.
The artwork, of which five panels survive, was commissioned for the monastery of Santa
Maria.
Meanwhile, his double-panel showing an infant Christ blessing a follower while being held
by the Virgin Mary on one side and an adult Christ in death on the other was painted around
the same time, though exactly when is unclear. Its small size suggests it was originally used
for private worship.
Federico Basile, the mayor of Messina, said he was “deeply outraged” by the “heinous
criminal act”. “A heritage belonging to all the people of Messina has been violated,” he said.
“Messina will not let its history be stolen.”
(Available at: https://www.bbc.com/news/articles/cqjxx2gzd9qo – text specially adapted for this test).
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Disciplina: Inglês (Língua Inglesa)
Banca: FUNDATEC
Orgão: Pref. Santa Rosa-RS
- Voz Ativa e Passiva | Passive and Active Voice
- Interpretação de texto | Reading comprehension
- Gramática - Língua InglesaPreposições | Prepositions
Four ‘extraordinary’ Renaissance paintings stolen from Italian museum
By Aleks Phillips
Four Renaissance paintings of “extraordinary value” have been stolen from a museum in
Sicily, Italy’s culture minister has said. Alessandro Giuli confirmed that three panels of the
Polyptych of San Gregorio and a double-sided panel of the Madonna with Child and Christ in
Pietà, all attributed to Antonello da Messina, were taken from the Regional Interdisciplinary
Museum of Messina on Saturday night.
Police are now probing how the thieves were able to enter the museum without triggering
its alarms and who may have been responsible. The incident is the latest in a string of museum
heists across Europe that have led to a growing number of priceless works disappearing from
public view.
Investigators are working on the initial suspicion that the paintings were stolen to order
by black market art thieves, according to Italian news agency Ansa. It reported that the
Madonna and Christ in Pietà was removed directly from inside a secure display case, while all
the paintings taken were on wooden panels, preventing them from easily being rolled up.
“We are shocked by what happened,” the museum’s director Marisa Mercurio told Ansa,
describing it as “a great loss for the museum, for the city, the community and the art world”.
Antonello da Messina was a 15th Century painter born and raised on Sicily, who would go
on to become one of the early Renaissance period's master painters. His San Gregorio
Polyptych, painted in 1473, depicts the Virgin Mary holding an infant Jesus Christ, flanked by
St Gregory and St Benedict as well as several angels.
The artwork, of which five panels survive, was commissioned for the monastery of Santa
Maria.
Meanwhile, his double-panel showing an infant Christ blessing a follower while being held
by the Virgin Mary on one side and an adult Christ in death on the other was painted around
the same time, though exactly when is unclear. Its small size suggests it was originally used
for private worship.
Federico Basile, the mayor of Messina, said he was “deeply outraged” by the “heinous
criminal act”. “A heritage belonging to all the people of Messina has been violated,” he said.
“Messina will not let its history be stolen.”
(Available at: https://www.bbc.com/news/articles/cqjxx2gzd9qo – text specially adapted for this test).
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Disciplina: Inglês (Língua Inglesa)
Banca: FUNDATEC
Orgão: Pref. Santa Rosa-RS
- Interpretação de texto | Reading comprehension
- Gramática - Língua InglesaPalavras conectivas | Connective words
Four ‘extraordinary’ Renaissance paintings stolen from Italian museum
By Aleks Phillips
Four Renaissance paintings of “extraordinary value” have been stolen from a museum in
Sicily, Italy’s culture minister has said. Alessandro Giuli confirmed that three panels of the
Polyptych of San Gregorio and a double-sided panel of the Madonna with Child and Christ in
Pietà, all attributed to Antonello da Messina, were taken from the Regional Interdisciplinary
Museum of Messina on Saturday night.
Police are now probing how the thieves were able to enter the museum without triggering
its alarms and who may have been responsible. The incident is the latest in a string of museum
heists across Europe that have led to a growing number of priceless works disappearing from
public view.
Investigators are working on the initial suspicion that the paintings were stolen to order
by black market art thieves, according to Italian news agency Ansa. It reported that the
Madonna and Christ in Pietà was removed directly from inside a secure display case, while all
the paintings taken were on wooden panels, preventing them from easily being rolled up.
“We are shocked by what happened,” the museum’s director Marisa Mercurio told Ansa,
describing it as “a great loss for the museum, for the city, the community and the art world”.
Antonello da Messina was a 15th Century painter born and raised on Sicily, who would go
on to become one of the early Renaissance period's master painters. His San Gregorio
Polyptych, painted in 1473, depicts the Virgin Mary holding an infant Jesus Christ, flanked by
St Gregory and St Benedict as well as several angels.
The artwork, of which five panels survive, was commissioned for the monastery of Santa
Maria.
Meanwhile, his double-panel showing an infant Christ blessing a follower while being held
by the Virgin Mary on one side and an adult Christ in death on the other was painted around
the same time, though exactly when is unclear. Its small size suggests it was originally used
for private worship.
Federico Basile, the mayor of Messina, said he was “deeply outraged” by the “heinous
criminal act”. “A heritage belonging to all the people of Messina has been violated,” he said.
“Messina will not let its history be stolen.”
(Available at: https://www.bbc.com/news/articles/cqjxx2gzd9qo – text specially adapted for this test).
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